A Backward Glance Into Jazz History: ‘Both Directions At Once: The Lost Album’
Our source has revealed fascinating insights into a notable time in jazz history with the unexpected release of ‘Both Directions At Once: The Lost Album’. The sounds captured on this album transport the listeners, to a long-forgotten recording session by jazz giant, John Coltrane, and his quartet dating back to March 6, 1963.
A Further Examination of The ‘The Lost Album’
Recorded at the famous Van Gelder Studio, situated in New Jersey, this astounding session stood untouched for over 5 decades, finally surfacing on June 29, 2018. Featuring the unmistakable sounds of McCoy Tyner, Jimmy Garrison, and Elvin Jones alongside Coltrane’s saxophone, the album is a harmonious blend of original compositions and timeless standards.
A remarkable aspect of this album is the conscious choice Coltrane made to prevent its release during his time. This was a testament to Coltrane’s firm idea of sharing his most progressive work, representing his rapidly shifting musical direction. The release, hence, stands as an excerpt from a crucial transitional phase in Coltrane’s career, during which he experimented with modal jazz, pushing the envelope of the genre, and redefining its very essence.
An Unprecedented Discovery in Jazz History
The bold step of including unexposed compositions is notable in ‘Both Directions At Once’. Further drawing attention to the album is the absence of the piano in several tracks, paving the way for a heightened level of improvisational exploration and freedom. This feature distinctly presents the impressive unity within the quartet, and moreover, salutes Coltrane’s innovative spirit.
One listen to this album would suffice to understand why ‘Both Directions At Once’ is considered a substantial discovery in the world of jazz, a wonder akin to unearthing a new room within the fabled Great Pyramid.
- Recorded at Van Gelder Studio on March 6, 1963
- Notably features McCoy Tyner, Jimmy Garrison, Elvin Jones along with John Coltrane
- Remained unreleased for 55 years until June 29, 2018
- Includes previously unrevealed compositions and standards
- Spotlights a transformative period in Coltrane’s career
- The absence of piano in few tracks showcases greater flexibility for improvisation
- Findings equated to the discovery of a new room in the Great Pyramid
